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Space Force song
The US Space Force has an official song, sene here performed in 2022, but also an unofficial hymn. (credit: US Air Force photo by Eric Dietrich)

The National Cathedral Version of the Space Force Hymn: “Creator of the Universe”


In early 2020, I stepped into a dusty brick building in Coffeyville, Kansas—home to the Dalton Gang Museum, which I bought. Amid aging memorabilia stood an upright piano with cracked keys and faded varnish. Sitting before it, I searched for a melody that had been stirring in my spirit since I first heard the Trump administration propose the creation of a sixth armed service branch: the United States Space Force.

Within the hour, I struck a flowing eight-bar phrase, scrawled several stanzas on paper, and titled the work “Creator of the Universe.” The words felt uncannily cathedral-like—simple, solemn, and reverent. They formed a prayer for Guardians preparing for missions far beyond the atmosphere:

Creator of the universe,
Watch over those who fly;
Through the great spaces beyond the earth,
And worlds beyond the sky.

What began on an untuned piano in a Kansas town of fewer than 10,000 residents would become known as “The Space Force Hymn”—a piece now embraced by chaplains, churches, Space Force personnel, veterans’ organizations, and military bands. Though not officially commissioned or sanctioned by the Department of Defense—which is barred by the First Amendment from establishing religious music—the hymn has taken on a life of its own.

A tradition of unofficial hymns

Every US military branch has its official march, but the hymns that become spiritually synonymous with service arise from civilian religious culture. These hymns reflect prayer, praise, and petition to God. For the Navy, it's “Eternal Father, Strong to Save.” For the Air Force, it's “Lord, Guard and Guide the Men Who Fly.” I aimed to continue that lineage with a hymn for an era defined by space-domain awareness, cislunar security, and satellite defense.

To some defense analysts, a hymn might seem peripheral to budgets, launch systems, or satellite constellations. But cultural artifacts—songs, mottos, ceremonies—build identity.

To signal continuity, I deliberately incorporated echoes of both the Navy and Air Force hymns—referencing “Eternal Father, strong to save” and alluding to the “great spaces of the sky.” In doing so, I framed the Space Force not as a novelty, but as a natural evolution in American defense.

The chaplain behind the verse

My background spans theology, linguistics, and military service. Ordained in the Southern Baptist Convention, I served nearly 24 years as an Army and Air Force chaplain, retiring as a major. I hold a Master of Divinity from Fuller Theological Seminary and completed advanced biblical Greek studies at Westminster Seminary California. I also served as chief editor of the Modern English Version of the Bible.

That background, I contend, was essential. “If you misquote Scripture or drift into bad doctrine, the troops will notice,” I told Christianity Today. “They need accuracy as much as inspiration.”

Recording the National Cathedral Version

Though the hymn originated on a creaky upright piano, it reached its polished form through Dan Kreider, a Florida-based composer, choral conductor, and music minister. Kreider’s recording captured the slow tempo, rich with harmonic texture reminiscent of Ralph Vaughan Williams. The result is not a martial anthem but a reverent petition—fitting for a service whose domain begins 100 kilometers above the Earth.

“It’s like you’re in a cathedral,” I said. “The reverence—they captured it.”

Reception: Applause, curiosity, and a constitutional concern

Since its release, “Creator of the Universe” has reached far beyond Coffeyville. Coverage has appeared in The Coffeyville Journal, The Times Examiner, Montgomery Independent, Black Hills Pioneer, and others. Major evangelical outlets including Christianity Today, Baptist Press, Faith News Network, and Charisma Media have featured the story. Nationally syndicated radio programs aired recordings and interviews during the Independence Day 2024 season.

Not everyone welcomed the hymn. In 2020, a secular advocacy group submitted letters to the Department of Defense, warning that any official performance might violate constitutional boundaries. The Pentagon responded by affirming that the hymn, like other military hymns, remains unofficial and is used only in voluntary religious, patriotic, or cultural contexts. The matter never reached litigation, and chaplains continue to use the hymn in services.

Cultural significance: Why hymns still matter in the orbital age

To some defense analysts, a hymn might seem peripheral to budgets, launch systems, or satellite constellations. But cultural artifacts—songs, mottos, ceremonies—build identity. They humanize a force whose mission unfolds in an environment measured in kelvins.

Technology wins battles; narratives win minds.

When Congress authorized the Space Force in December 2019, critics mocked the move as theatrical. But five years later, Guardians operate cyber defense cells and monitor thousands of objects in orbit. What the service still lacks are traditions—those symbols of continuity and cohesion. The hymn helps fill that void. It casts the Guardians’ mission in moral and even cosmic terms, reminding listeners that outer space is still, in many worldviews, “the heavens.”

The road to a hymnal—and beyond

Will “Creator of the Universe” one day appear in a Department of Defense hymnal alongside the Navy and Air Force hymns, or be arranged for a full military band? I would welcome it, but am content to let the hymn spread organically.

Future verses, I say only half-jokingly, might one day mention cislunar gateways or solar-sail logistics. For now, the hymn retains a purposely timeless prayer of petitioning the “Eternal Father” who “in solitude of sov’reign grace” might grant courage for each flight.

Final measure

Coffeyville’s old piano is silent again, its keys still. The former Dalton Gang Museum awaits renovation. But the melody birthed there now echoes far beyond southeast Kansas—perhaps in a Vandenberg control room, a chapel on Guam, or a small-town Coffeyville church on Veterans Day.

Wherever it is sung, one thing remains true: a prayer is rising—toward worlds beyond the sky.


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